drawing /painting

I still remember vividly years ago when I had just switched gear from three-dimensional work to two-dimensional work —I stood in front of an empty canvas and thought to myself, ‘what am supposed to do?’

I think that I have never really got myself out of the 3D concept —the myth of special depth was imprinted in my system. I later found the beauty of line work, I took advantage of variation of line to keep exploring ‘space’ on paper or any given two-dimensional form, which I carried to my printmaking work as well.

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